The Lottery

By Shirley Jackson

The morning of June 27th was clear and sunny, with the fresh warmth of a full-summer day; the flowers were blossoming profusely and the grass was richly green. The people of the village began to gather in the square, between the post office and the bank, around ten o'clock; in some towns there were so many people that the lottery took two days and had to be started on June 2th. but in this village, where there were only about three hundred people, the whole lottery took less than two hours, so it could begin at ten o'clock in the morning and still be through in time to allow the villagers to get home for noon dinner.
The children assembled first, of course. School was recently over for the summer, and the feeling of liberty sat uneasily on most of them; they tended to gather together quietly for a while before they broke into boisterous play. and their talk was still of the classroom and the teacher, of books and reprimands. Bobby Martin had already stuffed his pockets full of stones, and the other boys soon followed his example, selecting the smoothest and roundest stones; Bobby and Harry Jones and Dickie Delacroix-- the villagers pronounced this name "Dellacroy"--eventually made a great pile of stones in one corner of the square and guarded it against the raids of the other boys. The girls stood aside, talking among themselves, looking over their shoulders at the boys. and the very small children rolled in the dust or clung to the hands of their older brothers or sisters.

Soon the men began to gather. surveying their own children, speaking of planting and rain, tractors and taxes. They stood together, away from the pile of stones in the corner, and their jokes were quiet and they smiled rather than laughed. The women, wearing faded house dresses and sweaters, came shortly after their menfolk. They greeted one another and exchanged bits of gossip as they went to join their husbands. Soon the women, standing by their husbands, began to call to their children, and the children came reluctantly, having to be called four or five times. Bobby Martin ducked under his mother's grasping hand and ran, laughing, back to the pile of stones. His father spoke up sharply, and Bobby came quickly and took his place between his father and his oldest brother.

The lottery was conducted--as were the square dances, the teen club, the Halloween program--by Mr. Summers. who had time and energy to devote to civic activities. He was a round-faced, jovial man and he ran the coal business, and people were sorry for him. because he had no children and his wife was a scold. When he arrived in the square, carrying the black wooden box, there was a murmur of conversation among the villagers, and he waved and called. "Little late today, folks." The postmaster, Mr. Graves, followed him, carrying a three- legged stool, and the stool was put in the center of the square and Mr. Summers set the black box down on it. The villagers kept their distance, leaving a space between themselves and the stool. and when Mr. Summers said, "Some of you fellows want to give me a hand?" there was a hesitation before two men. Mr. Martin and his oldest son, Baxter. came forward to hold the box steady on the stool while Mr. Summers stirred up the papers inside it.

The original paraphernalia for the lottery had been lost long ago, and the black box now resting on the stool had been put into use even before Old Man Warner, the oldest man in town, was born. Mr. Summers spoke frequently to the villagers about making a new box, but no one liked to upset even as much tradition as was represented by the black box. There was a story that the present box had been made with some pieces of the box that had preceded it, the one that had been constructed when the first people settled down to make a village here. Every year, after the lottery, Mr. Summers began talking again about a new box, but every year the subject was allowed to fade off without anything's being done. The black box grew shabbier each year: by now it was no longer completely black but splintered badly along one side to show the original wood color, and in some places faded or stained.

Mr. Martin and his oldest son, Baxter, held the black box securely on the stool until Mr. Summers had stirred the papers thoroughly with his hand. Because so much of the ritual had been forgotten or discarded, Mr. Summers had been successful in having slips of paper substituted for the chips of wood that had been used for generations. Chips of wood, Mr. Summers had argued. had been all very well when the village was tiny, but now that the population was more than three hundred and likely to keep on growing, it was necessary to use something that would fit more easily into he black box. The night before the lottery, Mr. Summers and Mr. Graves made up the slips of paper and put them in the box, and it was then taken to the safe of Mr. Summers' coal company and locked up until Mr. Summers was ready to take it to the square next morning. The rest of the year, the box was put way, sometimes one place, sometimes another; it had spent one year in Mr. Graves's barn and another year underfoot in the post office. and sometimes it was set on a shelf in the Martin grocery and left there.

There was a great deal of fussing to be done before Mr. Summers declared the lottery open. There were the lists to make up--of heads of families. heads of households in each family. members of each household in each family. There was the proper swearing-in of Mr. Summers by the postmaster, as the official of the lottery; at one time, some people remembered, there had been a recital of some sort, performed by the official of the lottery, a perfunctory. tuneless chant that had been rattled off duly each year; some people believed that the official of the lottery used to stand just so when he said or sang it, others believed that he was supposed to walk among the people, but years and years ago this p3rt of the ritual had been allowed to lapse. There had been, also, a ritual salute, which the official of the lottery had had to use in addressing each person who came up to draw from the box, but this also had changed with time, until now it was felt necessary only for the official to speak to each person approaching. Mr. Summers was very good at all this; in his clean white shirt and blue jeans. with one hand resting carelessly on the black box. he seemed very proper and important as he talked interminably to Mr. Graves and the Martins.

Just as Mr. Summers finally left off talking and turned to the assembled villagers, Mrs. Hutchinson came hurriedly along the path to the square, her sweater thrown over her shoulders, and slid into place in the back of the crowd. "Clean forgot what day it was," she said to Mrs. Delacroix, who stood next to her, and they both laughed softly. "Thought my old man was out back stacking wood," Mrs. Hutchinson went on. "and then I looked out the window and the kids was gone, and then I remembered it was the twenty-seventh and came a-running." She dried her hands on her apron, and Mrs. Delacroix said, "You're in time, though. They're still talking away up there."

Mrs. Hutchinson craned her neck to see through the crowd and found her husband and children standing near the front. She tapped Mrs. Delacroix on the arm as a farewell and began to make her way through the crowd. The people separated good-humoredly to let her through: two or three people said. in voices just loud enough to be heard across the crowd, "Here comes your, Missus, Hutchinson," and "Bill, she made it after all." Mrs. Hutchinson reached her husband, and Mr. Summers, who had been waiting, said cheerfully. "Thought we were going to have to get on without you, Tessie." Mrs. Hutchinson said. grinning, "Wouldn't have me leave m'dishes in the sink, now, would you. Joe?," and soft laughter ran through the crowd as the people stirred back into position after Mrs. Hutchinson's arrival.

"Well, now." Mr. Summers said soberly, "guess we better get started, get this over with, so's we can go back to work. Anybody ain't here?"

"Dunbar." several people said. "Dunbar. Dunbar."

Mr. Summers consulted his list. "Clyde Dunbar." he said. "That's right. He's broke his leg, hasn't he? Who's drawing for him?"

"Me. I guess," a woman said. and Mr. Summers turned to look at her. "Wife draws for her husband." Mr. Summers said. "Don't you have a grown boy to do it for you, Janey?" Although Mr. Summers and everyone else in the village knew the answer perfectly well, it was the business of the official of the lottery to ask such questions formally. Mr. Summers waited with an expression of polite interest while Mrs. Dunbar answered.

"Horace's not but sixteen vet." Mrs. Dunbar said regretfully. "Guess I gotta fill in for the old man this year."

"Right." Sr. Summers said. He made a note on the list he was holding. Then he asked, "Watson boy drawing this year?"

A tall boy in the crowd raised his hand. "Here," he said. "I m drawing for my mother and me." He blinked his eyes nervously and ducked his head as several voices in the crowd said thin#s like "Good fellow, lack." and "Glad to see your mother's got a man to do it."

"Well," Mr. Summers said, "guess that's everyone. Old Man Warner make it?"

"Here," a voice said. and Mr. Summers nodded.

A sudden hush fell on the crowd as Mr. Summers cleared his throat and looked at the list. "All ready?" he called. "Now, I'll read the names--heads of families first--and the men come up and take a paper out of the box. Keep the paper folded in your hand without looking at it until everyone has had a turn. Everything clear?"

The people had done it so many times that they only half listened to the directions: most of them were quiet. wetting their lips. not looking around. Then Mr. Summers raised one hand high and said, "Adams." A man disengaged himself from the crowd and came forward. "Hi. Steve." Mr. Summers said. and Mr. Adams said. "Hi. Joe." They grinned at one another humorlessly and nervously. Then Mr. Adams reached into the black box and took out a folded paper. He held it firmly by one corner as he turned and went hastily back to his place in the crowd. where he stood a little apart from his family. not looking down at his hand.

"Allen." Mr. Summers said. "Anderson.... Bentham."

"Seems like there's no time at all between lotteries any more." Mrs. Delacroix said to Mrs. Graves in the back row.

"Seems like we got through with the last one only last week."

"Time sure goes fast.-- Mrs. Graves said.

"Clark.... Delacroix"

"There goes my old man." Mrs. Delacroix said. She held her breath while her husband went forward.

"Dunbar," Mr. Summers said, and Mrs. Dunbar went steadily to the box while one of the women said. "Go on. Janey," and another said, "There she goes."

"We're next." Mrs. Graves said. She watched while Mr. Graves came around from the side of the box, greeted Mr. Summers gravely and selected a slip of paper from the box. By now, all through the crowd there were men holding the small folded papers in their large hand. turning them over and over nervously Mrs. Dunbar and her two sons stood together, Mrs. Dunbar holding the slip of paper.

"Harburt.... Hutchinson."

"Get up there, Bill," Mrs. Hutchinson said. and the people near her laughed.

"Jones."

"They do say," Mr. Adams said to Old Man Warner, who stood next to him, "that over in the north village they're talking of giving up the lottery."

Old Man Warner snorted. "Pack of crazy fools," he said. "Listening to the young folks, nothing's good enough for them. Next thing you know, they'll be wanting to go back to living in caves, nobody work any more, live hat way for a while. Used to be a saying about 'Lottery in June, corn be heavy soon.' First thing you know, we'd all be eating stewed chickweed and acorns. There's always been a lottery," he added petulantly. "Bad enough to see young Joe Summers up there joking with everybody."

"Some places have already quit lotteries." Mrs. Adams said.

"Nothing but trouble in that," Old Man Warner said stoutly. "Pack of young fools."

"Martin." And Bobby Martin watched his father go forward. "Overdyke.... Percy."

"I wish they'd hurry," Mrs. Dunbar said to her older son. "I wish they'd hurry."

"They're almost through," her son said.

"You get ready to run tell Dad," Mrs. Dunbar said.

Mr. Summers called his own name and then stepped forward precisely and selected a slip from the box. Then he called, "Warner."

"Seventy-seventh year I been in the lottery," Old Man Warner said as he went through the crowd. "Seventy-seventh time."

"Watson" The tall boy came awkwardly through the crowd. Someone said, "Don't be nervous, Jack," and Mr. Summers said, "Take your time, son."

"Zanini."

After that, there was a long pause, a breathless pause, until Mr. Summers. holding his slip of paper in the air, said, "All right, fellows." For a minute, no one moved, and then all the slips of paper were opened. Suddenly, all the women began to speak at once, saving. "Who is it?," "Who's got it?," "Is it the Dunbars?," "Is it the Watsons?" Then the voices began to say, "It's Hutchinson. It's Bill," "Bill Hutchinson's got it."

"Go tell your father," Mrs. Dunbar said to her older son.

People began to look around to see the Hutchinsons. Bill Hutchinson was standing quiet, staring down at the paper in his hand. Suddenly. Tessie Hutchinson shouted to Mr. Summers. "You didn't give him time enough to take any paper he wanted. I saw you. It wasn't fair!"

"Be a good sport, Tessie." Mrs. Delacroix called, and Mrs. Graves said, "All of us took the same chance."

"Shut up, Tessie," Bill Hutchinson said.

"Well, everyone," Mr. Summers said, "that was done pretty fast, and now we've got to be hurrying a little more to get done in time." He consulted his next list. "Bill," he said, "you draw for the Hutchinson family. You got any other households in the Hutchinsons?"

"There's Don and Eva," Mrs. Hutchinson yelled. "Make them take their chance!"

"Daughters draw with their husbands' families, Tessie," Mr. Summers said gently. "You know that as well as anyone else."

"It wasn't fair," Tessie said.

"I guess not, Joe." Bill Hutchinson said regretfully. "My daughter draws with her husband's family; that's only fair. And I've got no other family except the kids."

"Then, as far as drawing for families is concerned, it's you," Mr. Summers said in explanation, "and as far as drawing for households is concerned, that's you, too. Right?"

"Right," Bill Hutchinson said.

"How many kids, Bill?" Mr. Summers asked formally.

"Three," Bill Hutchinson said.

"There's Bill, Jr., and Nancy, and little Dave. And Tessie and me."

"All right, then," Mr. Summers said. "Harry, you got their tickets back?"

Mr. Graves nodded and held up the slips of paper. "Put them in the box, then," Mr. Summers directed. "Take Bill's and put it in."

"I think we ought to start over," Mrs. Hutchinson said, as quietly as she could. "I tell you it wasn't fair. You didn't give him time enough to choose. Everybody saw that."

Mr. Graves had selected the five slips and put them in the box. and he dropped all the papers but those onto the ground. where the breeze caught them and lifted them off.

"Listen, everybody," Mrs. Hutchinson was saying to the people around her.

"Ready, Bill?" Mr. Summers asked. and Bill Hutchinson, with one quick glance around at his wife and children. nodded.

"Remember," Mr. Summers said. "take the slips and keep them folded until each person has taken one. Harry, you help little Dave." Mr. Graves took the hand of the little boy, who came willingly with him up to the box. "Take a paper out of the box, Davy." Mr. Summers said. Davy put his hand into the box and laughed. "Take just one paper." Mr. Summers said. "Harry, you hold it for him." Mr. Graves took the child's hand and removed the folded paper from the tight fist and held it while little Dave stood next to him and looked up at him wonderingly.

"Nancy next," Mr. Summers said. Nancy was twelve, and her school friends breathed heavily as she went forward switching her skirt, and took a slip daintily from the box "Bill, Jr.," Mr. Summers said, and Billy, his face red and his feet overlarge, near knocked the box over as he got a paper out. "Tessie," Mr. Summers said. She hesitated for a minute, looking around defiantly. and then set her lips and went up to the box. She snatched a paper out and held it behind her.

"Bill," Mr. Summers said, and Bill Hutchinson reached into the box and felt around, bringing his hand out at last with the slip of paper in it.

The crowd was quiet. A girl whispered, "I hope it's not Nancy," and the sound of the whisper reached the edges of the crowd.

"It's not the way it used to be." Old Man Warner said clearly. "People ain't the way they used to be."

"All right," Mr. Summers said. "Open the papers. Harry, you open little Dave's."

Mr. Graves opened the slip of paper and there was a general sigh through the crowd as he held it up and everyone could see that it was blank. Nancy and Bill. Jr.. opened theirs at the same time. and both beamed and laughed. turning around to the crowd and holding their slips of paper above their heads.

"Tessie," Mr. Summers said. There was a pause, and then Mr. Summers looked at Bill Hutchinson, and Bill unfolded his paper and showed it. It was blank.

"It's Tessie," Mr. Summers said, and his voice was hushed. "Show us her paper. Bill."

Bill Hutchinson went over to his wife and forced the slip of paper out of her hand. It had a black spot on it, the black spot Mr. Summers had made the night before with the heavy pencil in the coal company office. Bill Hutchinson held it up, and there was a stir in the crowd.

"All right, folks." Mr. Summers said. "Let's finish quickly."

Although the villagers had forgotten the ritual and lost the original black box, they still remembered to use stones. The pile of stones the boys had made earlier was ready; there were stones on the ground with the blowing scraps of paper that had come out of the box Delacroix selected a stone so large she had to pick it up with both hands and turned to Mrs. Dunbar. "Come on," she said. "Hurry up."

Mr. Dunbar had small stones in both hands, and she said. gasping for breath. "I can't run at all. You'll have to go ahead and I'll catch up with you."

The children had stones already. And someone gave little Davy Hutchinson few pebbles.

Tessie Hutchinson was in the center of a cleared space by now, and she held her hands out desperately as the villagers moved in on her. "It isn't fair," she said. A stone hit her on the side of the head. Old Man Warner was saying, "Come on, come on, everyone." Steve Adams was in the front of the crowd of villagers, with Mrs. Graves beside him.

"It isn't fair, it isn't right," Mrs. Hutchinson screamed, and then they were upon her.

[Courtesy of Americanliterature.com]

Regret

By Kate Chopin

MAMZELLE AURÉLIE possessed a good strong figure, ruddy cheeks, hair that was changing from brown to gray, and a determined eye. She wore a man's hat about the farm, and an old blue army overcoat when it was cold, and sometimes top-boots.
Mamzelle Aurélie had never thought of marrying. She had never been in love. At the age of twenty she had received a proposal, which she had promptly declined, and at the age of fifty she had not yet lived to regret it.

So she was quite alone in the world, except for her dog Ponto, and the negroes who lived in her cabins and worked her crops, and the fowls, a few cows, a couple of mules, her gun (with which she shot chicken-hawks), and her religion.

One morning Mamzelle Aurélie stood upon her gallery, contemplating, with arms akimbo, a small band of very small children who, to all intents and purposes, might have fallen from the clouds, so unexpected and bewildering was their coming, and so unwelcome. They were the children of her nearest neighbor, Odile, who was not such a near neighbor, after all.

The young woman had appeared but five minutes before, accompanied by these four children. In her arms she carried little Élodie; she dragged Ti Nomme by an unwilling hand; while Marcéline and Marcélette followed with irresolute steps.

Her face was red and disfigured from tears and excitement. She had been summoned to a neighboring parish by the dangerous illness of her mother; her husband was away in Texas -- it seemed to her a million miles away; and Valsin was waiting with the mule-cart to drive her to the station.

"It's no question, Mamzelle Aurélie; you jus' got to keep those youngsters fo' me tell I come back. Dieu sait, I wouldn' botha you with 'em if it was any otha way to do! Make 'em mine you, Mamzelle Aurélie; don' spare 'em. Me, there, I'm half crazy between the chil'ren, an' Léon not home, an' maybe not even to fine po' maman alive encore!" -- a harrowing possibility which drove Odile to take a final hasty and convulsive leave of her disconsolate family.

She left them crowded into the narrow strip of shade on the porch of the long, low house; the white sunlight was beating in on the white old boards; some chickens were scratching in the grass at the foot of the steps, and one had boldly mounted, and was stepping heavily, solemnly, and aimlessly across the gallery. There was a pleasant odor of pinks in the air, and the sound of negroes' laughter was coming across the flowering cotton-field.

Mamzelle Aurélie stood contemplating the children. She looked with a critical eye upon Marcéline, who had been left staggering beneath the weight of the chubby Élodie. She surveyed with the same calculating air Marcélette mingling her silent tears with the audible grief and rebellion of Ti Nomme. During those few contemplative moments she was collecting herself, determining upon a line of action which should be identical with a line of duty. She began by feeding them.

If Mamzelle Aurélie's responsibilities might have begun and ended there, they could easily have been dismissed; for her larder was amply provided against an emergency of this nature. But little children are not little pigs: they require and demand attentions which were wholly unexpected by Mamzelle Aurélie, and which she was ill prepared to give.

She was, indeed, very inapt in her management of Odile's children during the first few days. How could she know that Marcélette always wept when spoken to in a loud and commanding tone of voice? It was a peculiarity of Marcélette's. She became acquainted with Ti Nomme's passion for flowers only when he had plucked all the choicest gardenias and pinks for the apparent purpose of critically studying their botanical construction.

"'T ain't enough to tell 'im, Mamzelle Aurélie," Marcéline instructed her; "you got to tie 'im in a chair. It's w'at maman all time do w'en he's bad: she tie 'im in a chair." The chair in which Mamzelle Aurélie tied Ti Nomme was roomy and comfortable, and he seized the opportunity to take a nap in it, the afternoon being warm.

At night, when she ordered them one and all to bed as she would have shooed the chickens into the hen-house, they stayed uncomprehending before her. What about the little white nightgowns that had to be taken from the pillow-slip in which they were brought over, and shaken by some strong hand till they snapped like ox-whips? What about the tub of water which had to be brought and set in the middle of the floor, in which the little tired, dusty, sun-browned feet had every one to be washed sweet and clean? And it made Marcéline and Marcélette laugh merrily -- the idea that Mamzelle Aurélie should for a moment have believed that Ti Nomme could fall asleep without being told the story of Croque-mitaine or Loup-garou, or both; or that Élodie could fall asleep at all without being rocked and sung to.

"I tell you, Aunt Ruby," Mamzelle Aurélie informed her cook in confidence; "me, I'd rather manage a dozen plantation' than fo' chil'ren. It's terrassent! Bonté! don't talk to me about chil'ren!"

"T ain' ispected sich as you would know airy thing 'bout 'em, Mamzelle Aurélie. I see dat plainly yistiddy w'en I spy dat li'le chile playin' wid yo' baskit o' keys. You don' know dat makes chillun grow up hard-headed, to play wid keys? Des like it make 'em teeth hard to look in a lookin'-glass. Them's the things you got to know in the raisin' an' manigement o' chillun."

Mamzelle Aurélie certainly did not pretend or aspire to such subtle and far-reaching knowledge on the subject as Aunt Ruby possessed, who had "raised five an' buried six" in her day. She was glad enough to learn a few little mother-tricks to serve the moment's need.

Ti Nomme's sticky fingers compelled her to unearth white aprons that she had not worn for years, and she had to accustom herself to his moist kisses -- the expressions of an affectionate and exuberant nature. She got down her sewing-basket, which she seldom used, from the top shelf of the armoire, and placed it within the ready and easy reach which torn slips and buttonless waists demanded. It took her some days to become accustomed to the laughing, the crying, the chattering that echoed through the house and around it all day long. And it was not the first or the second night that she could sleep comfortably with little Élodie's hot, plump body pressed close against her, and the little one's warm breath beating her cheek like the fanning of a bird's wing.

But at the end of two weeks Mamzelle Aurélie had grown quite used to these things, and she no longer complained.

It was also at the end of two weeks that Mamzelle Aurélie, one evening, looking away toward the crib where the cattle were being fed, saw Valsin's blue cart turning the bend of the road. Odile sat beside the mulatto, upright and alert. As they drew near, the young woman's beaming face indicated that her home-coming was a happy one.

But this coming, unannounced and unexpected, threw Mamzelle Aurélie into a flutter that was almost agitation. The children had to be gathered. Where was Ti Nomme? Yonder in the shed, putting an edge on his knife at the grindstone. And Marcéline and Marcélette? Cutting and fashioning doll-rags in the corner of the gallery. As for Élodie, she was safe enough in Mamzelle Aurélie's arms; and she had screamed with delight at sight of the familiar blue cart which was bringing her mother back to her.

THE excitement was all over, and they were gone. How still it was when they were gone! Mamzelle Aurélie stood upon the gallery, looking and listening. She could no longer see the cart; the red sunset and the blue-gray twilight had together flung a purple mist across the fields and road that hid it from her view. She could no longer hear the wheezing and creaking of its wheels. But she could still faintly hear the shrill, glad voices of the children.

She turned into the house. There was much work awaiting her, for the children had left a sad disorder behind them; but she did not at once set about the task of righting it. Mamzelle Aurélie seated herself beside the table. She gave one slow glance through the room, into which the evening shadows were creeping and deepening around her solitary figure. She let her head fall down upon her bended arm, and began to cry. Oh, but she cried! Not softly, as women often do. She cried like a man, with sobs that seemed to tear her very soul. She did not notice Ponto licking her hand.

[courtesy of Americanliterature.com]

A Dream of Armageddon

by H. G. Wells

The man with the white face entered the carriage at Rugby. He moved slowly despite his porter's urgency, and even while he was still on the platform I noted how ill he seemed. He dropped into the corner across from me with a sigh, made an incomplete attempt to arrange his traveling shawl, and became motionless, his eyes staring vacantly. I returned to my reading.

"That book," he said, pointing a lean finger, "is about dreams."

"Obviously," I answered, for it was Fortnum Roscoe's Dream States, and the title was on the cover.

He hung silent for a space as if seeking words. "Yes," he said at last, "but they know nothing."

I looked attentively at him.

"There are dreams," he said, "and dreams... Tell me, do you ever dream vividly?"

"Rarely," I answered. "I doubt I have three vivid dreams in a year."

"Ah!" he said, "Then your dreams don't mix with your memories? You don't find yourself in doubt; did this happen or did it not?"

"Hardly ever. Except for a momentary hesitation now and then. I suppose few people do. Roscoe says it happens at times and gives the usual explanation about intensity of impression and the like to account for its not happening as a rule. I suppose you know of these theories--"

"They are wrong."

His emaciated hand played with the strap of the window for a time. I prepared to resume reading, and that seemed to precipitate his next remark. He leaned forward almost as though to touch me.

"Isn't there something called consecutive dreaming--that goes on night after night?"

"I believe there is. There are cases given in most books on mental trouble."

"Right place for them. But what I mean--" He looked at his bony knuckles. "Is that sort of thing really dreaming? Or something else?"

I should have snubbed his persistent conversation but for the drawn anxiety of his face. I remember now the look of his faded eyes and the lids red stained.

"I'm not just arguing about a matter of opinion," he said. "It's killing me."

"Dreams?"

"If you call them dreams. Night after night. Vivid!--so vivid...this--" he indicated the landscape that went streaming by the window "seems unreal in comparison! I can scarcely remember who I am, what business I am on..."

"You mean the dream is always the same?" I asked.

"No. It's over. I died."

"Died?"

"Smashed and killed, and now, so much of me as that dream was, is dead. Forever. I dreamt I was another man, living in a different part of the world at a different time. Night after night I woke into that other life. Fresh scenes and fresh happenings--until I came upon the last--when I died."

It was clear I was in for this dream. And after all, I had an hour before me, the light was fading fast, and Fortnum Roscoe is rather dreary. "Living in a different time," I said: "do you mean in some different age?"

"Yes, to come."

"The year 3,000, for example?"

"I don't know. I did when I was asleep and dreaming, but not now that I am awake. I have forgotten many things since I woke out of these dreams, though I knew them at the time when I was--I suppose it was dreaming. They called the year differently from our way... What did they call it?" He put his hand to his forehead. "No, I forget."

He sat smiling weakly. I feared he would not tell me his dream. As a rule I hate people who tell their dreams, but this struck me differently. I proffered assistance even. "It began--" I suggested.

"It was vivid from the first. I seemed to wake up in it suddenly. The first time, I found myself sitting in a sort of loggia looking out over the sea. I had been dozing, and suddenly I woke up--fresh and vivid--not a bit dreamlike--because the girl had stopped fanning me."

"What girl?"

"Please don't interrupt. I woke up, I say, because the girl had stopped fanning me. I was not surprised to find myself there or anything of that sort, you understand. I did not feel I had fallen into it suddenly. I simply took it up at that point. Whatever memory I had of this life, this 19th-century life, faded as I woke, vanished like a dream. I knew all about myself, knew that my name was no longer Cooper but Hedon, and all about my position in the world. I've forgotten a lot since I woke--there's a want of connection--but it was all quite clear and matter-of-fact then."

He hesitated, gripping the window strap, putting his face forward and looking up to me appealingly.

"This seems bosh to you?"

"No, no!" I cried. "Go on. Tell me what this loggia was like!"

"It was not really a loggia--I don't know what to call it. It faced south. It was small. It was all in shadow except the semicircle above the balcony that showed the sky and sea and the corner where the girl stood. I was on a metal couch with light striped cushions--and the girl was leaning over the balcony with her back to me. The light of the sunrise fell on her ear and cheek. Her pretty white neck and the little curls that nestled there, and her white shoulder were in the sun, and all the grace of her body was in the cool shadow. She was dressed--how can I describe it? It was easy and flowing. And there she stood, so that it came to me how beautiful and desirable she was, as though I had never seen her before. And when at last I spoke and raised myself upon my arm she turned to face me--"


He stopped.

"I have lived 53 years in this world. I have had mother, sisters, friends, wife and daughters--all their faces, the play of their faces, I know. But the face of this girl--it is much more real to me. I can bring it back into memory so that I see it again--I could draw it or paint it. And after all--"

He stopped--but I said nothing.

"The face of a dream--the face of a dream. She was beautiful. Not that beauty which is terrible, cold, and worshipful, like the beauty of a saint; nor that beauty that stirs fierce passions; but a sort of glow, sweet lips that softened into smiles, and grave gray eyes. And she moved so gracefully--"

He stopped, his face downcast and hidden. Then he looked up at me and went on, making no further attempt to disguise his absolute belief in the reality of his story.

"You see, I had given up my plans and ambitions, given up all I had ever worked for or desired, for her sake. I had been a master man away there in the north, with influence and property and a great reputation, but it was all nothing compared to her. I had come to the place, this city of sunny pleasures with her, and left all those things to wreck and ruin just to save a remnant at least of my life. While I had been in love with her before I knew that she too loved me, all my life had seemed vain and hollow, dust and ashes. It was dust and ashes. Night after night and through endless days I had longed and desired--my soul had beaten against the thing forbidden!

"But it is impossible for one man to tell another just these things. It's emotion, it's a tint, a light that comes and goes. Only while it's there, everything changes, everything. The thing is I came away and left them in their Crisis to do what they could."

"Left whom?" I asked, puzzled.

"The people up in the north. You see, in this dream, I had been a big man, a leader who other men trusted and grouped themselves about. Millions who had never seen me were ready to do things and take risks because of their confidence in me. I had played that big laborious game--politics--for years, amid intrigues and betrayals, speech and agitation. At last I had power against the Gang--an organization whose scoundrelly projects, base ambitions, and vast public emotional stupidities and catchwords kept the world noisy and blind year by year, and drifting toward infinite disaster. I can't expect you to understand the shades and complications of that time. I had it all--down to the last detail--in my dream.

"I rubbed my eyes, and thanked God for the sunlight. I sat up on the couch, looking at the woman and rejoicing that I had come away out of all that tumult, folly, and violence before it was too late. After all, I thought, this is life--love and beauty, desire and delight, are they not worth all those dismal struggles for vague, gigantic ends? I blamed myself for having ever sought to be a leader when I might have given my days to love. All my being went out in love and tenderness to my dear mistress, my dear lady, who had come at last and compelled me by her invincible charm to lay that life aside.

"'You are worth it, my dearest one' I said, without intending her to hear; 'worth pride and praise and all things. Love! to have you is worth them all together." And at the murmur of my voice she turned about.

"'Come and see,' she cried--I can hear her now--'come and see the sunrise upon Monte Solaro.'

"I remember how I sprang to my feet and joined her at the balcony. She put a white hand upon my shoulder and pointed toward great masses of limestone, flushing, as it were, into life. I looked. But first I noted the sunlight on her face caressing the lines of her cheeks and neck. How can I describe to you the scene before us? We were at Capri--"

"I have been there," I said. "I have clambered up Monte Solaro and drunk vero Capri--muddy stuff like cider--at the summit."

"Ah!" said the man with the white face; "then perhaps you can tell me--you will know if this is indeed Capri. For in this life I have never been there. Let me describe it. We were in a little room, one of a multitude of little rooms, cool and sunny, hollowed out of the limestone of a sort of cape, high above the sea. The whole island was one enormous hotel, complex beyond explaining, and on the other side were miles of floating hotels, and huge floating stages to which flying machines came. They called it a pleasure city. Of course, there was none of that in your time--rather, I should say, is none of that now.

"Well, this room of ours was at the extremity of the cape, so we could see east and west. Eastward was a great cliff--a thousand feet high perhaps--coldly gray except for one bright edge of gold, and beyond it the Isle of the Sirens, and a falling coast that faded and passed into the hot sunrise. When one turned to the west, distinct and near was a little bay, a little beach still in shadow. Out of that shadow rose Solaro straight and tall, flushed and golden crested, like a beauty throned, and the white moon was floating behind her in the sky. And before us from east to west stretched the many-tinted sea all dotted with little sailing boats.

"Eastward, of course, these little boats were gray and very minute and clear, but westward they were little boats of gold--shining gold--almost like little flames. And just below us was a rock with an arch worn through it. The blue sea-water broke to green and foam all around the rock, and a galley came gliding out of the arch."

"I know that rock," I said. "I was nearly drowned there. It is called the Faraglioni."

"I Faraglioni? Yes, she called it that," answered the man with the white face. "Well, that is the first thing I remember, the first dream I had, that little shaded room and the beautiful air and sky and that dear lady of mine, with her shining arms and her graceful robe, and how we sat and talked in half whispers to one another. We talked in whispers not because there was anyone to hear, but because there was still such a freshness of mind between us that our thoughts were a little frightened, I think, to find themselves at last in words. And so they went softly.

"Presently we were hungry and we went from our apartment, going by a strange passage with a moving floor, until we came to the great breakfast room--there was a fountain and music. A pleasant and joyful place it was, with its sunlight and splashing, and the murmur of plucked strings. And we sat and ate and smiled at one another, and I would not heed a man who was watching me from a table nearby.

"And afterwards we went on to the dancing-hall. But I cannot describe that hall. The place was enormous--larger than any building you have ever seen--and in one place there was the old gate of Capri, caught into the wall of a gallery high overhead. Light girders, stems and threads of gold, burst from the pillars like fountains, streamed like an Aurora across the roof and interlaced, like--like conjuring tricks. All about the great circle for the dancers there were beautiful figures, strange dragons, and intricate and wonderful grotesques bearing lights. The place was inundated with artificial light that shamed the newborn day. And as we went through the throng the people turned about and looked at us, for all through the world my name and face were known, and how I had suddenly thrown up pride and struggle to come to this place. And they looked also at the lady beside me, though half the story of how at last she had come to me was unknown or mistold. And few of the men who were there, I know, but judged me a happy man, in spite of all the shame and dishonor that had come upon my name.

"The air was full of music, full of harmonious scents, full of the rhythm of beautiful motions. Thousands of beautiful people swarmed about the hall, crowded the galleries, sat in a myriad recesses; they were dressed in splendid colors and crowned with flowers; thousands danced about the great circle beneath the white images of the ancient gods, and glorious processions of youths and maidens came and went. We two danced, not the dreary monotonies of your days--of this time, I mean--but dances that were beautiful, intoxicating. And even now I can see my lady dancing--dancing joyously. She danced, you know, with a serious face; she danced with a serious dignity, and yet she was smiling at me and caressing me--smiling and caressing with her eyes.

"The music was different," he murmured. "It went--I cannot describe it; but it was infinitely richer and more varied than any music that has ever come to me awake.

"And then--it was when we had done dancing--a man came to speak to me. He was a lean, resolute man, very soberly clad for that place, and already I had marked his face watching me in the breakfasting hall, and afterward as we went along the passage I had avoided his eye. But now, as we sat in a little alcove, smiling at the pleasure of all the people who went to and fro across the shining floor, he came and touched me, and spoke to me so that I was forced to listen. And he asked that he might speak to me for a little time apart.

"'No,' I said. 'I have no secrets from this lady. What do you want to tell me?'

"He said it was a trivial matter, or at least a dry matter, for a lady to hear.

"'Perhaps for me to hear,' said I.

"He glanced at her, as though almost he would appeal to her. Then he asked me suddenly if I had heard of a great and avenging declaration that Evesham had made? Now, Evesham had always before been the man next to myself in the leadership of that great party in the north. He was a forcible, hard, and tactless man, and only I had been able to control and soften him. It was on his account even more than my own, I think, that the others had been so dismayed at my retreat. So this question about what he had done reawakened my old interest in the life I had put aside just for a moment.

"'I have taken no heed of any news for many days,' I said. 'What has Evesham been saying?'

"And with that the man began, nothing loth, and I must confess even I was struck by Evesham's reckless folly in the wild and threatening words he had used. And this messenger they had sent to me not only told me of Evesham's speech, but went on to ask counsel and to point out what need they had of me. While he talked, my lady sat a little forward and watched his face and mine.

"My old habits of scheming and organizing reasserted themselves. I could even see myself suddenly returning to the north, and all the dramatic effect of it. All that this man said witnessed to the disorder of the party indeed, but not to its damage. I should go back stronger than I had come. And then I thought of my lady. You see--how can I tell you? There were certain peculiarities of our relationship--as things are I need not tell you about that--which would render her presence with me impossible. I should have had to leave her; indeed, I should have had to renounce her clearly and openly, if I was to do all that I could do in the north. And the man knew that, even as he talked to her and me, knew it as well as she did, that my steps to duty were--first, separation, then abandonment. At the touch of that thought my dream of a return was shattered. I turned on the man suddenly, as he was imagining his eloquence was gaining ground with me.

"'What have I to do with these things now?' I said. 'I have done with them. Do you think I am coquetting with your people in coming here?'

"'No,' he said. 'But--'

"'Why cannot you leave me alone? I have done with these things. I have ceased to be anything but a private man.'

"'Yes,' he answered. 'But have you thought?--this talk of war, these reckless challenges, these wild aggressions--'

"I stood up.

"'No!' I cried. 'I won't hear you. I took count of all those things, I weighed them--and I have come away.'

"He seemed to consider the possibility of persistence. He looked from me to where the lady sat regarding us.

"'War,' he said, as if he were speaking to himself, and then turned slowly from me and walked away.

"I stood, caught in the whirl of thoughts his appeal had set going.

"I heard my lady's voice.

"'Dear,' she said; 'but if they have need of you--'

"She did not finish her sentence, she let it rest there. I turned to her sweet face, and the balance of my mood swayed and reeled.

"'They want me only to do the thing they dare not do themselves,' I said. 'If they distrust Evesham they must settle with him themselves.'

"She looked at me doubtfully.

"'But war--' she said.

"I saw a doubt on her face that I had seen before, a doubt of herself and me, the first shadow of the discovery that, seen strongly and completely, must drive us apart forever.

"Now, I was an older mind than hers, and I could sway her to this belief or that.

"'My dear one,' I said, 'you must not trouble over these things. There will be no war. Certainly there will be no war. The age of wars is past. Trust me to know the justice of this case. They have no right upon me, dearest, and no one has a right upon me. I have been free to choose my life, and I have chosen this.'

"'But war--,' she said.

"I sat down beside her. I put an arm behind her and took her hand in mine. I set myself to drive that doubt away--I set myself to fill her mind with pleasant things again. I lied to her, and in lying to her I lied also to myself. And she was only too ready to believe me, only too ready to forget.

"Very soon the shadow had gone again, and we were hastening to our bathing-place in the Grotta del Bovo Marino, where it was our custom to bathe every day. We swam and splashed one another, and in that buoyant water I seemed to become something lighter and stronger than a man. And at last we came out dripping and rejoicing and raced among the rocks. And then I put on a dry bathing-dress, and we sat to bask in the sun, and presently I nodded, resting my head against her knee, and she put her hand upon my hair and stroked it softly and I dozed. And behold! as it were with the snapping of the string of a violin, I was awakening, and I was in my own bed in Liverpool, in the life of today.

"Only for a time I could not believe that all these vivid moments had been no more than the substance of a dream.

"In truth, I could not believe it a dream for all the sobering reality of things about me. I bathed and dressed as it were by habit, and as I shaved I argued why I of all men should leave the woman I loved to go back to fantastic politics in the hard and strenuous north. Even if Evesham did force the world back to war, what was that to me? I was a man with the heart of a man, and why should I feel the responsibility of a deity for the way the world might go?

"You know that is not quite the way I think about affairs, about my real affairs. I am a solicitor, you know, with a point of view.

"The vision was so real, you must understand, so utterly unlike a dream that I kept perpetually recalling little irrelevant details; even the ornament of the book-cover that lay on my wife's sewing machine in the breakfast-room recalled with the utmost vividness the gilt line that ran about the seat in the alcove where I had talked with the messenger from my deserted party. Have you ever heard of a dream that had a quality like that?"

"Like--?"

"So that afterwards you remembered little details you had forgotten."

I thought. I had never noticed the point before, but he was right.

"Never," I said. "That is what you never seem to do with dreams."

"No," he answered. "But that is just what I did. I am a solicitor, you must understand, in Liverpool, and I could not help wondering what the clients and businesspeople I found myself talking to in my office would think if I told them suddenly I was in love with a girl who would be born a couple of hundred years or so hence, and worried about the politics of my great-great-great-grandchildren. I was chiefly busy that day negotiating a 99-year building lease. It was a private builder in a hurry, and we wanted to tie him in every possible way. I had an interview with him, and he showed a certain want of temper that sent me to bed still irritated. That night I had no dream. Nor did I dream the next night, at least, to remember.

"Something of that intense reality of conviction vanished. I began to feel sure it was a dream. And then it came again.

"When the dream came again, nearly four days later, it was very different. I think it certain that four days had also elapsed in the dream. Many things had happened in the north, and the shadow of them was back again between us, and this time it was not so easily dispelled. I began, I know, with moody musings. Why, in spite of all, should I go back, go back for all the rest of my days to toil and stress, insults and perpetual dissatisfaction, simply to save hundreds of millions of common people, whom I did not love, whom too often I could do no other than despise, from the stress and anguish of war and infinite misrule? And after all I might fail. They all sought their own narrow ends, and why should not I--why should not I also live as a man? And out of such thoughts her voice summoned me, and I lifted my eyes.

I found myself awake and walking. We had come out above the Pleasure City, we were near the summit of Monte Solaro and looking towards the bay. It was the late afternoon and very clear. Far away to the left Ischia hung in a golden haze between sea and sky, and Naples was coldly white against the hills, and before us was Vesuvius with a tall and slender streamer feathering at last towards the south, and the ruins of Torre dell' Annunziata and Castellammare glittering and near."

I interrupted suddenly: "You have been to Capri, of course?"

"Only in this dream," he said, "only in this dream. All across the bay beyond Sorrento were the floating palaces of the Pleasure City moored and chained. And northward were the broad floating stages that received the airplanes. Airplanes fell out of the sky every afternoon, each bringing its thousands of pleasure-seekers from the uttermost parts of the earth to Capri and its delights. All these things, I say, stretched below.



"But we noticed them only incidentally because of an unusual sight that evening had to show. Five war airplanes that had long slumbered useless in the distant arsenals of the Rhinemouth were maneuvering now in the eastward sky. Evesham had astonished the world by producing them and others, and sending them to circle here and there. It was the threat material in the great game of bluff he was playing, and it had taken even me by surprise. He was one of those incredibly stupid energetic people who seem sent by heaven to create disasters. His energy to the first glance seemed so wonderfully like capacity! But he had no imagination, no invention, only a stupid, vast, driving force of will, and a mad faith in his stupid idiot 'luck' to pull him through. I remember how we stood upon the headland watching the squadron circling far away, and how I weighed the full meaning of the sight, seeing clearly the way things must go. And then even it was not too late.

I might have gone back, I think, and saved the world. The people of the north would follow me, I knew, granted only that in one thing I respected their moral standards. The east and south would trust me as they would trust no other northern man. And I knew I had only to put it to her and she would have let me go... Not because she did not love me!

"Only I did not want to go; my will was all the other way about. I had so newly thrown off the incubus of responsibility: I was still so fresh a renegade from duty that the daylight clearness of what I ought to do had no power at all to touch my will. My will was to live, to gather pleasures and make my dear lady happy. But though this sense of vast neglected duties had no power to draw me, it could make me silent and preoccupied, it robbed the days I had spent of half their brightness and roused me into dark meditations in the silence of the night. And as I stood and watched Evesham's airplanes sweep to and fro--those birds of infinite ill omen--she stood beside me watching me, perceiving the trouble indeed, but not perceiving it clearly--her eyes questioning my face, her expression shaded with perplexity. Her face was gray because the sunset was fading out of the sky. It was no fault of hers that she held me. She had asked me to go from her, and again in the nighttime and with tears she had asked me to go.

"At last it was the sense of her that roused me from my mood. I turned upon her suddenly and challenged her to race down the mountain slopes. 'No,' she said, as if I had jarred with her gravity, but I was resolved to end that gravity, and make her run--no one can be very gray and sad who is out of breath--and when she stumbled I ran with my hand beneath her arm. We ran down past a couple of men, who turned back staring in astonishment at my behavior--they must have recognized my face. And halfway down the slope came a tumult in the air, clang-clank, clang-clank, and we stopped, and presently over the hill-crest those war things came flying one behind the other."

The man seemed hesitating on the verge of a description.

"What were they like?" I asked.

"They had never fought," he said. "They were just like our ironclads are nowadays; they had never fought. No one knew what they might do, with excited men inside them; few even cared to speculate. They were great driving things shaped like spearheads without a shaft, with a propeller in the place of the shaft."

"Steel?"

"Not steel."

"Aluminum?"

"No, no, nothing of that sort. An alloy that was very common--as common as brass, for example. It was called--let me see--" He squeezed his forehead with the fingers of one hand. "I am forgetting everything," he said.

"And they carried guns?"

"Little guns, firing high explosive shells. They fired the guns backwards, out of the base of the leaf, so to speak, and rammed with the beak. That was the theory, you know, but they had never been fought. No one could tell exactly what was going to happen. And meanwhile I suppose it was very fine to go whirling through the air like a flight of young swallows, swift and easy. I guess the captains tried not to think too clearly what the real thing would be like. And these flying war machines, you know, were only one sort of the endless war contrivances that had been invented and had fallen into abeyance during the long peace. There were all sorts of these things that people were routing out and furbishing up; infernal things, silly things; things that had never been tried; big engines, terrible explosives, great guns. You know the silly way of these ingenious sort of men who make these things; they turn 'em out as beavers build dams, and with no more sense of the rivers they're going to divert and the lands they're going to flood!

"As we went down the winding stepway to our hotel again, in the twilight, I foresaw it all: I saw how clearly and inevitably things were driving for war in Evesham's silly, violent hands, and I had some inkling of what war was bound to be under these new conditions. And even then, though I knew it was drawing near the limit of my opportunity, I could find no will to go back."

He sighed.

"That was my last chance.

"We didn't go into the city until the sky was full of stars, so we walked out upon the high terrace, to and fro, and--she counseled me to go back.

"'My dearest,' she said, and her sweet face looked up to me, 'this is Death. This life you lead is Death. Go back to them, go back to your duty--'

"She began to weep, saying, between her sobs, and clinging to my arm as she said it, 'Go back--Go back.'

"Then suddenly she fell mute, and, glancing down at her face, I read in an instant the thing she had thought to do. It was one of those moments when one sees.

"'No!' I said.

"'No?' she asked, in surprise and I think a little fearful at the answer to her thought.

"'Nothing,' I said, 'shall send me back. Nothing! I have chosen. Love, I have chosen, and the world must go. Whatever happens I will live this life--I will live for you! It--nothing shall turn me aside; nothing, my dear one. Even if you died--even if you died--'

"'Yes?' she murmured, softly.

"'Then--I also would die.'

"And before she could speak again I began to talk, talking eloquently--as I could do in that life--talking to exalt love, to make the life we were living seem heroic and glorious; and the thing I was deserting something hard and enormously ignoble that it was a fine thing to set aside. I bent all my mind to throw that glamor upon it, seeking not only to convert her but myself to that. We talked, and she clung to me, torn too between all that she deemed noble and all that she knew was sweet. And at last I did make it heroic, made all the thickening disaster of the world only a sort of glorious setting to our unparalleled love, and we two poor foolish souls strutted there at last, clad in that splendid delusion, drunken rather with that glorious delusion, under the still stars.

"And so my moment passed.

"It was my last chance. Even as we went to and fro there, the leaders of the south and east were gathering their resolve, and the hot answer that shattered Evesham's bluffing forever, took shape and waited. And, all over Asia, and the ocean, and the South, the air and the wires were throbbing with their warnings to prepare--prepare.

"No one living, you know, knew what war was; no one could imagine, with all these new inventions, what horror war might bring. I believe most people still believed it would be a matter of bright uniforms and shouting charges and triumphs and flags and bands--in a time when half the world drew its food supply from regions ten thousand miles away--"

The man with the white face paused. I glanced at him, and his face was intent on the floor of the carriage. A little railway station, a string of loaded trucks, a signal-box, and the back of a cottage, shot by the carriage window, and a bridge passed with a clap of noise, echoing the tumult of the train.

"After that," he said, "I dreamt often. For three weeks of nights that dream was my life. And the worst of it was there were nights when I could not dream, when I lay tossing on a bed in this accursed life; and there--somewhere lost to me--things were happening--momentous, terrible things... I lived at nights--my days, my waking days, this life I am living now, became a faded, faraway dream, a drab setting, the cover of the book."

He thought.

"I could tell you all, tell you every little thing in the dream, but as to what I did in the daytime--no. I could not tell--I do not remember. My memory--my memory has gone. The business of life slips from me--"

He leaned forward, and pressed his hands upon his eyes. For a long time he said nothing.

"And then?" said I.

"The war burst like a hurricane."

He stared before him at unspeakable things.

"And then?" I urged again.

"One touch of unreality," he said, in the low tone of a man who speaks to himself, "and they would have been nightmares. But they were not nightmares--they were not nightmares. No!"

He was silent for so long that it dawned upon me that there was a danger of losing the rest of the story. But he went on talking again in the same tone of questioning self-communion.

"What was there to do but flight? I had not thought the war would touch Capri--I had seemed to see Capri as being out of it all, as the contrast to it all; but two nights after the whole place was shouting and bawling, every woman almost and every other man wore a badge--Evesham's badge--and there was no music but a jangling war-song over and over again, and everywhere men enlisting, and in the dancing halls they were drilling. The whole island was awhirl with rumors; it was said, again and again, that fighting had begun. I had not expected this. I had seen so little of the life of pleasure that I had failed to reckon with this violence of the amateurs. And as for me, I was out of it. I was like the man who might have prevented the firing of a magazine. The time had gone. I was no one; the vainest stripling with a badge counted for more than I. The crowd jostled us and bawled in our ears; that accursed song deafened us; a woman shrieked at my lady because no badge was on her, and we two went back to our own place again, ruffled and insulted--my lady white and silent, and I aquiver with rage. So furious was I, I could have quarrelled with her if I could have found one shade of accusation in her eyes.

"All my magnificence had gone from me. I walked up and down our rock cell, and outside was the darkling sea and a light to the southward that flared and passed and came again.

"'We must get out of this place,' I said over and over. 'I have made my choice, and I will have no hand in these troubles. I will have nothing of this war. We have taken our lives out of all these things. This is no refuge for us. Let us go.'

"And the next day we were already in flight from the war that covered the world.

"And all the rest was Flight--all the rest was Flight."

He mused darkly.

"How much was there of it?"

He made no answer.

"How many days?"

His face was white and drawn and his hands were clenched. He took no heed of my curiosity.

I tried to draw him back to his story with questions.

"Where did you go?" I said.

"When?"

"When you left Capri."

"Southwest," he said, and glanced at me for a second. "We went in a boat."

"But I should have thought an airplane?"

"They had been seized."

I questioned him no more. Presently I thought he was beginning again. He broke out in an argumentative monotone:

"But why should it be? If, indeed, this battle, this slaughter and stress is life, why have we this craving for pleasure and beauty? If there is no refuge, if there is no place of peace, and if all our dreams of quiet places are a folly and a snare, why have we such dreams? Surely it was no ignoble cravings, no base intentions, had brought us to this; it was Love had isolated us. Love had come to me with her eyes and robed in her beauty, more glorious than all else in life, in the very shape and color of life, and summoned me away. I had silenced all the voices, I had answered all the questions--I had come to her. And suddenly there was nothing but War and Death!"

I had an inspiration. "After all," I said, "it could have been only a dream."

"A dream!" he cried, flaming upon me, "a dream--when, even now--"

For the first time he became animated. A faint flush crept into his cheek. He raised his open hand and clenched it, and dropped it to his knee. He spoke, looking away from me, and for all the rest of the time he looked away. "We are but phantoms!" he said, "and the phantoms of phantoms, desires like cloud-shadows and wills of straw that eddy in the wind; the days pass, use and wont carry us through as a train carries the shadow of its lights--so be it! But one thing is real and certain, one thing is no dream-stuff, but eternal and enduring. It is the center of my life, and all other things about it are subordinate or altogether vain. I loved her, that woman of a dream. And she and I are dead together!

"A dream! How can it be a dream, when it drenched a living life with unappeasable sorrow, when it makes all that I have lived for and cared for, worthless and unmeaning?

"Until that very moment when she was killed I believed we had still a chance of getting away," he said. "All through the night and morning that we sailed across the sea from Capri to Salerno, we talked of escape. We were full of hope, and it clung about us to the end, hope for the life together we should lead, out of it all, out of the battle and struggle, the wild and empty passions, the empty arbitrary 'thou shalt' and 'thou shalt not' of the world. We were uplifted, as though our quest was a holy thing, as though love for another was a mission...

"Even when from our boat we saw the fair face of that great rock Capri--already scarred and gashed by the gun emplacements and hiding-places that were to make it a fastness--we reckoned nothing of the imminent slaughter, though the fury of preparation hung about in the puffs and clouds of dust at a hundred points amid the gray; but, indeed, I made a text of that and talked. There, you know, was the rock, still beautiful for all its scars, with its countless windows and arches and ways, tier upon tier, for a thousand feet, a vast carving of gray, broken by vine-clad terraces, and lemon and orange groves, and masses of agave and prickly pear, and puffs of almond blossom. And out under the archway that is built over the Piccola Marina other boats were coming; and as we came round the cape and within sight of the mainland, another little string of boats came into view, driving before the wind toward the southwest. In a little while a multitude had come out, the remoter just little specks of ultramarine in the shadow of the eastward cliff.

"'It is love and reason,' I said, 'fleeing from all this madness of war.'

"And though we presently saw a squadron of airplanes flying across the southern sky we did not heed it. There it was--a line of little dots in the sky--and then more, dotting the southeastern horizon, and then still more, until all that quarter of the sky was stippled with blue specks. Now they were all thin little strokes of blue, and now one and now a multitude would heel and catch the sun and become short flashes of light. They came, rising and falling and growing larger, like some huge flight of gulls or rooks or suchlike birds, moving with a marvelous uniformity, and ever as they drew nearer they spread over a greater width of sky. The southward wind flung itself in an arrowheaded cloud athwart the sun. And then suddenly they swept round to the eastward and streamed eastward, growing smaller and smaller and clearer and clearer again until they vanished from the sky. And after that we noted to the northward and very high Evesham's fighting machines hanging high over Naples like an evening swarm of gnats.

"It seemed to have no more to do with us than a flight of birds.

"Even the mutter of guns far away in the southeast seemed to us to signify nothing...

"Each day, each dream after that, we were still exalted, still seeking that refuge where we might live and love. Fatigue had come upon us, pain and many distresses. For though we were dusty and stained by our toilsome tramping, and half starved and with the horror of the dead men
we had seen and the flight of the peasants--for very soon a gust of fighting swept up the peninsula--with these things haunting our minds it still resulted only in a deepening resolution to escape. Oh, but she was brave and patient! She who had never faced hardship and exposure had courage for herself and me. We went to and fro seeking an outlet, over a country all commandeered and ransacked by the gathering hosts of war. Always we went on foot. At first there were other fugitives, but we did not mingle with them. Some escaped northward, some were caught in the torrent of peasantry that swept along the main roads; many gave themselves into the hands of the soldiery and were sent northward. Many of the men were impressed. But we kept away from these things; we had brought no money to bribe a passage north, and I feared for my lady at the hands of these conscript crowds. We had landed at Salerno, and we had been turned back from Cava, and we had tried to cross toward Taranto by a pass over Mount Alburno, but we had been driven back for want of food, and so we had come down among the marshes by Paestum, where those great temples stand alone. I had some vague idea that by Paestum it might be possible to find a boat or something, and take once more to sea. And there it was the battle overtook us.

"A sort of soul-blindness had me. Plainly I could see that we were being hemmed in; that the great net of that giant Warfare had us in its toils. Many times we had seen the levies that had come down from the north going to and fro, and had come upon them in the distance amid the mountains making ways for the ammunition and preparing the mounting of the guns. Once we fancied they had fired at us, taking us for spies--at any rate a shot had gone shuddering over us. Several times we had hidden in woods from hovering airplanes.

"But all these things do not matter now, these nights of flight and pain... We were in an open place near those great temples at Paestum, at last, on a blank stony place dotted with spiky bushes, empty and desolate and so flat that a grove of eucalyptus far away showed to the feet of its stems. How I can see it! My lady was sitting down under a bush resting a little, for she was very weak and weary, and I was standing up watching to see if I could tell the distance of the firing that came and went. They were still, you know, fighting far from each other, with those terrible new weapons that had never before been used: guns that would carry beyond sight, and airplanes that would do--What they would do no man could foretell.

"I knew that we were between the two armies, and that they drew together. I knew we were in danger, and that we could not stop there and rest!

"Though all these things were in my mind, they were in the background. They seemed to be affairs beyond our concern. Chiefly, I was thinking of my lady. An aching distress filled me. For the first time she had owned herself beaten and had fallen a-weeping. Behind me I could hear her sobbing, but I would not turn around to her because I knew she had need of weeping, and had held herself so far and so long for me. It was well, I thought, that she would weep and rest and then we would toil on again, for I had no inkling of the thing that hung so near. Even now I can see her as she sat there, her lovely hair upon her shoulder, can mark again the deepening hollow of her cheek.

"'If we had parted,' she said, 'if I had let you go.'

"'No,' said I. 'Even now, I do not repent. I will not repent; I made my choice, and I will hold on to the end.'

"And then--

"Overhead in the sky flashed something and burst, and all about us I heard the bullets making a noise like a handful of peas suddenly thrown. They chipped the stones about us, and whirled fragments from the bricks and passed..."

He put his hand to his mouth, and then moistened his lips.

"At the flash I had turned about...

"You know--she stood up--

"She stood up, you know, and moved a step toward me--as though she wanted to reach me--

"And she had been shot through the heart."

He stopped and stared at me. I felt all that foolish incapacity an Englishman feels on such occasions. I met his eyes for a moment, and then stared out of the window. For a long space we kept silence. When at last I looked at him he was sitting back in his corner, his arms folded, and his teeth gnawing at his knuckles.

He bit his nail suddenly, and stared at it.

"I carried her," he said, "toward the temples, in my arms--as though it mattered. I don't know why. They seemed a sort of sanctuary, you know, they had lasted so long, I suppose.

"She must have died almost instantly. Only--I talked to her all the way."

Silence again.

"I have seen those temples," I said abruptly, and indeed he had brought those still, sunlit arcades of worn sandstone very vividly before me.

"It was the brown one, the big brown one. I sat down on a fallen pillar and held her in my arms... Silent after the first babble was over. And after a little while the lizards came out and ran about again, as though nothing unusual was going on, as though nothing had changed... It was tremendously still there, the sun high and the shadows still; even the shadows of the weeds upon the entablature were still--in spite of the thudding and banging that went all about the sky.

"I seem to remember that the airplanes came up out of the south, and that the battle went away to the west. One airplane was struck, and overset and fell. I remember that--though it didn't interest me in the least. It didn't seem to signify. It was like a wounded gull, you know--flapping for a time in the water. I could see it down the aisle of the temple--a black thing in the bright blue water.

"Three or four times shells burst about the beach, and then that ceased. Each time that happened all the lizards scuttled in and hid for a space. That was all the mischief done, except that once a stray bullet gashed the stone hard by--made just a fresh bright surface.

"As the shadows grew longer, the stillness seemed greater.

"The curious thing," he remarked, with the manner of a man who makes a trivial conversation, "is that I didn't think--at all. I sat with her in my arms amidst the stones--in a sort of lethargy--stagnant.

"And I don't remember waking up. I don't remember dressing that day. I know I found myself in my office, with my letters all slit open in front of me, and how I was struck by the absurdity of being there, seeing that in reality I was sitting, stunned, in that Paestum Temple with a dead woman in my arms. I read my letters like a machine. I have forgotten what they were about."

He stopped, and there was a long silence.

Suddenly I perceived that we were running down the incline from Chalk Farm to Euston. I started at this passing of time. I turned on him with a brutal question, with the tone of "Now or never."

"And did you dream again?"

"Yes."

He seemed to force himself to finish. His voice was very low.

"Once more, and as it were only for a few instants. I seemed to have suddenly awakened out of a great apathy, to have risen into a sitting position, and the body lay there on the stones beside me.

A gaunt body. Not her, you know. So soon--it was not her...

"I may have heard voices. I do not know. Only I knew clearly that men were coming into the solitude and that that was a last outrage.

"I stood up and walked through the temple, and then there came into sight--first one man with a yellow face, dressed in a uniform of dirty white, trimmed with blue, and then several, climbing to the crest of the old wall of the vanished city, and crouching there. They were little bright figures in the sunlight, and there they hung, weapon in hand, peering cautiously before them.

"And further away I saw others and then more at another point in the wall. It was a long lax line of men in open order.

"Presently the man I had first seen stood up and shouted a command, and his men came tumbling down the wall and into the high weeds toward the temple. He scrambled down with them and led them. He came facing toward me, and when he saw me he stopped.

"At first I had watched these men with a mere curiosity, but when I had seen they meant to come to the temple I was moved to forbid them. I shouted to the officer.

"'You must not come here,' I cried, 'I am here. I am here with my dead.'

"He stared, and then shouted a question back to me in some unknown tongue.

"I repeated what I had said.

"He shouted again, and I folded my arms and stood still. Presently he spoke to his men and came forward. He carried a drawn sword.

"I signed to him to keep away, but he continued to advance. I told him again very patiently and clearly: 'You must not come here. These are old temples and I am here with my dead.'

"Presently he was so close I could see his face clearly. It was a narrow face, with dull gray eyes, and a black moustache. He had a scar on his upper lip, and he was dirty and unshaven. He kept shouting unintelligible things, questions, perhaps, at me.

"I know now that he was afraid of me, but at the time that did not occur to me. As I tried to explain to him, he interrupted me in imperious tones, bidding me, I suppose, stand aside.

"He made to go past me, and I caught hold of him.

"I saw his face change at my grip.

"'You fool!' I cried. 'Don't you know? She is dead!'

"He started back. He looked at me with cruel eyes. I saw a sort of exultant resolve leap into them--delight. Then, suddenly, with a scowl, he swept his sword back--so--and thrust."

He stopped abruptly.

I became aware of a change in the rhythm of the train. The brakes lifted their voices and the carriage jarred and jerked. This present world insisted upon itself, became clamorous. I saw through the steamy window huge electric lights glaring down from tall masts upon a fog, saw rows of stationary empty carriages passing by, and then a signal-box hoisting its constellation of green and red into the murky London twilight, marched after them. I looked again at his drawn features.

"He ran me through the heart. It was with a sort of astonishment--no fear, no pain--but just amazement, that I felt it pierce me, felt the sword drive home into my body. It didn't hurt, you know. It didn't hurt at all."

The yellow platform lights came into the field of view, passing first rapidly, then slowly, and at last stopping with a jerk. Dim shapes of men passed to and fro without.

"Euston!" cried a voice.

"Do you mean--?"

"There was no pain, no sting or smart. Amazement and then darkness sweeping over everything. The hot, brutal face before me, the face of the man who had killed me, seemed to recede. It swept out of existence--"

"Euston!" clamored the voices outside; "Euston!"

The carriage door opened, admitting a flood of sound, and a porter stood regarding us. The sounds of doors slamming, and the hoof-clatter of cab-horses, and behind these things the featureless remote roar of the London cobblestones, came to my ears. A truckload of lighted lamps blazed along the platform.

"A darkness, a flood of darkness that opened and spread and blotted out all things."

"Any luggage, sir?" said the porter.

"And that was the end?" I asked.

He seemed to hesitate. Then, almost inaudibly, he answered, "No."

"You mean?"

"I couldn't get to her. She was there on the other side of the temple--And then--"

"Yes," I insisted. "Yes?"

"Nightmares," he cried; "nightmares indeed! My God! Great birds that fought and tore."

[courtesy of wondersmith.com]

Tobermory

By Saki

It was a chill, rain-washed afternoon of a late August day, that indefinite season when partridges are still in security or cold storage, and there is nothing to hunt--unless one is bounded on the north by the Bristol Channel, in which case one may lawfully gallop after fat red stags. Lady Blemley's house party was not bounded on the north by the Bristol Channel, hence there was a full gathering of her guests round the tea table on this particular afternoon. And, despite the blankness of the season and the triteness of the occasion, there was no trace in the company of that fatigued restlessness which means a dread of the pianola and a subdued hankering for auction bridge. The undisguised open-mouthed attention of the entire party was fixed on the homely negative personality of Mr. Cornelius Appin. Of all her guests, he was the one who had come to Lady Blemley with the vaguest reputation. Someone had said he was "clever", and he had got his invitation in the moderate expectation, on the part of his hostess, that some portion at least of his cleverness would contribute to the general entertainment. Until teatime that day she had been unable to discover in what direction, if any, his cleverness lay. He was neither a wit nor a croquet champion, a hypnotic force nor a begetter of amateur theatricals. Neither did his exterior suggest the sort of man in whom women are willing to pardon a generous measure of mental deficiency. He had subsided into mere Mr. Appin, and the Cornelius seemed a piece of transparent baptismal bluff. And now he was claiming to have launched on the world a discovery beside which the invention of gunpowder, the printing press, and steam locomotion were inconsiderable trifles. Science had made bewildering strides in many directions during recent decades, but this thing seemed to belong to the domain of miracle rather than scientific achievement.

"And do you really ask us to believe," Sir Wilfrid was saying, "that you have discovered a means for instructing animals in the art of human speech, and that dear old Tobermory has proved your first successful pupil?"

"It is a problem at which I have worked for the last 17 years," said Mr. Appin, "but only during the last eight or nine months have I been rewarded with glimmerings of success. Of course I have experimented with thousands of animals, but latterly only with cats, those wonderful creatures which have assimilated themselves so marvelously with our civilization while retaining all their highly developed feral instincts. Here and there among cats one comes across an outstanding superior intellect, just as one does among human beings, and when I made the acquaintance of Tobermory a week ago I saw at once that I was in contact with a `Beyond-cat' of extraordinary intelligence. I had gone far along the road to success in recent experiments; with Tobermory, as you call him, I have reached the goal."

Mr. Appin concluded his remarkable statement in a voice he strove to divest of a triumphant inflection. No one said "Rats," though Clovis's lips moved in a monosyllabic contortion which probably invoked those rodents of disbelief.

"And do you mean to say," asked Miss Resker, after a slight pause, "that you have taught Tobermory to say and understand easy sentences of one syllable?"

"My dear Miss Resker," said the wonderworker patiently, "one teaches little children, savages, and backward adults in that piecemeal fashion; when one has once solved the problem of making a beginning with an animal of highly developed intelligence one has no need for those halting methods. Tobermory can speak our language with perfect correctness."

This time Clovis very distinctly said, "Beyond-rats!" Sir Wilfrid was more polite, but equally skeptical.

"Hadn't we better have the cat in and judge for ourselves?" suggested Lady Blemley.

Sir Wilfrid went in search of the animal, and the company settled themselves down to the languid expectation of witnessing some more or less adroit drawing room ventriloquism.

In a minute Sir Wilfrid was back in the room, his face white beneath its tan and his eyes dilated with excitement. "By Gad, it's true!"

His agitation was unmistakably genuine, and his hearers started forward in a thrill of awakened interest.

Collapsing into an armchair he continued breathlessly, "I found him dozing in the smoking room and called out to him to come for his tea. He blinked at me in his usual way, and I said, `Come on, Toby; don't keep us waiting'; and, by Gad! he drawled out in a most horribly natural voice that he'd come when he dashed well pleased! I nearly jumped out of my skin!"

Appin had preached to absolutely incredulous hearers; Sir Wilfred's statement carried instant conviction. A Babel-like chorus of startled exclamation arose, amid which the scientist sat mutely enjoying the first fruit of his stupendous discovery.

Amidst the clamor Tobermory entered the room and made his way with velvet tread and studied unconcern across to the group seated at the tea table.

A sudden hush of awkwardness and constraint fell on the company. Somehow there seemed an element of embarrassment in addressing on equal terms a domestic cat of acknowledged mental ability.

"Will you have some milk, Tobermory?" asked Lady Blemley in a rather strained voice.

"I don't mind if I do," was the response, couched in a tone of even indifference. A shiver of suppressed excitement went through the listeners, and Lady Blemley might be excused for pouring out the saucerful of milk rather unsteadily.

"I'm afraid I've spilt a good deal of it," she said apologetically.

"After all, it's not my Axminster," was Tobermory's rejoinder.

Another silence fell on the group, and then Miss Resker, in her best district-visitor manner, asked if the human language had been difficult to learn. Tobermory looked squarely at her for a moment, then fixed his gaze serenely on the middle distance. It was obvious that boring questions lay outside his scheme of life.

"What do you think of human intelligence?" asked Mavis Pellington lamely.

"Of whose intelligence in particular?" asked Tobermory coldly.

"Oh, well, mine for instance," said Mavis, with a feeble laugh.

"You put me in an embarrassing position," said Tobermory, whose tone and attitude certainly did not suggest a shred of embarrassment. "When your inclusion in this house party was suggested Sir Wilfrid protested that you were the most brainless woman of his acquaintance, and that there was a wide distinction between hospitality and the care of the feebleminded. Lady Blemley replied that your lack of brainpower was the precise quality which had earned you your invitation, as you were the only person she could think of who might be idiotic enough to buy their old car. You know, the one they call `The Envy of Sisyphus' because it goes quite nicely uphill if you push it."

Lady Blemley's protestations would have had greater effect if she had not casually suggested to Mavis only that morning that the car in question would be just the thing for her down at her Devonshire home.

Major Barfield plunged in heavily to effect a diversion.

"How about your carryings-on with the tortoise-shell puss up at the stables, eh?"

The moment he said it everyone realized the blunder.

"One does not usually discuss these matters in public," said Tobermory frigidly. "From a slight observation of your ways since you've been in this house I should imagine you'd find it inconvenient if I were to shift the conversation to your own little affairs."

The panic which ensued was not confined to the Major.

"Would you like to go and see if cook has got your dinner ready?" suggested Lady Blemley hurriedly, affecting to ignore the fact that it wanted at least two hours to Tobermory's dinner time.

"Thanks," said Tobermory, "not quite so soon after my tea. I don't want to die of indigestion."

"Cats have nine lives, you know," said Sir Wilfrid heartily.

"Possibly," answered Tobermory; "but only one liver."

"Adelaide!" said Mrs. Cornett, "do you mean to encourage that cat to go out and gossip about us in the servants' hall?"

The panic had indeed become general. A narrow ornamental balustrade ran in front of most of the bedroom windows at the Towers, and it was recalled with dismay that this had formed a favorite promenade for Tobermory at all hours, whence he could watch the pigeons--and heaven knew what else. If he intended to become reminiscent in his present outspoken strain the effect would be something more than disconcerting. Mrs. Cornett, who spent much time at her toilet table, and whose complexion was reputed to be of a nomadic though punctual disposition, looked as ill at ease as the Major. Miss Scrawen, who wrote fiercely sensuous poetry and led a blameless life, merely displayed irritation; if you are methodical and virtuous in private you don't necessarily want everyone to know it. Bertie van Tahn, who was so depraved at 17 that he had long ago given up trying to be any worse, turned a dull shade of gardenia white, but he did not commit the error of dashing out of the room like Odo Finsberry, a young gentleman who was understood to be reading for the Church and who was possibly disturbed at the thought of scandals he might hear concerning other people. Clovis had the presence of mind to maintain a composed exterior; privately he was calculating how long it would take to procure a box of fancy mice through the Exchange and Mart as a species of hush money.

Even in a delicate situation like the present, Agnes Resker could not endure to remain too long in the background.

"Why did I ever come down here?" she asked dramatically.

Tobermory immediately accepted the opening: "Judging by what you said to Mrs. Cornett on the croquet lawn yesterday, you were out for food. You described the Blemleys as the dullest people to stay with that you knew, but said they were clever enough to employ a first-rate cook; otherwise they'd find it difficult to get anyone to come down a second time."

"There's not a word of truth in it! I appeal to Mrs. Cornett--" exclaimed the discomfited Agnes.

"Mrs. Cornett repeated your remark afterward to Bertie van Tahn," continued Tobermory, "and said, `That woman is a regular Hunger Marcher; she'd go anywhere for four square meals a day,' and Bertie van Tahn said--"

At this point the chronicle mercifully ceased, as Tobermory caught a glimpse of the big yellow Tom from the Rectory working his way through the shrubbery toward the stable wing. In a flash he vanished through the open French window.

With the disappearance of his too brilliant pupil Cornelius Appin found himself beset by a hurricane of bitter upbraiding, anxious inquiry, and frightened entreaty. The responsibility for the situation lay with him, and he must prevent matters from becoming worse. Could Tobermory impart his dangerous gift to other cats? was the first question he had to answer. It was possible, he replied, that he might have initiated his intimate friend the stable puss into his new accomplishment, but it was unlikely that his teaching could have taken a wider range as yet.

"Then," said Mrs. Cornett, "Tobermory may be a valuable cat and a great pet; but I'm sure you'll agree, Adelaide, that both he and the stable cat must be done away with without delay."

"You don't suppose I've enjoyed the last quarter of an hour, do you?" said Lady Blemley bitterly. "My husband and I are very fond of Tobermory--at least, we were before this horrible accomplishment was infused into him; but now, of course, the only thing is to have him destroyed as soon as possible."

"We can put some strychnine in the scraps he always gets at dinner time," said Sir Wilfrid, "and I will go and drown the stable cat myself. The coachman will be quite sore at losing his pet, but I'll say a very catching form of mange has broken out in both cats and we're afraid of its spreading to the kennels."

"But my great discovery!" expostulated Mr. Appin, "after all my years of research and experiment--"

"You can go and experiment on the shorthorns at the farm, who are under proper control," said Mrs. Cornett, "or the elephants at the Zoological Gardens. They're said to be highly intelligent, and they have this recommendation, that they don't come creeping about our bedrooms and under chairs, and so forth."

An archangel ecstatically proclaiming the Millennium, and then finding that it clashed unpardonably with the Henley regatta and would have to be indefinitely postponed, could hardly have felt more crestfallen than Cornelius Appin at the reception of his wonderful achievement. Public opinion, however, was against him--in fact, had the general voice been consulted on the subject a strong minority vote probably would have favored including him in the strychnine diet.

Defective train arrangements and a nervous desire to see matters brought to a finish prevented an immediate dispersal of the party, but dinner that evening was not a social success. Sir Wilfrid had had rather a trying time with the stable cat and subsequently with the coachman. Agnes Resker ostentatiously limited her repast to a morsel of dry toast, which she bit as though it were a personal enemy; while Mavis Pellington maintained a vindictive silence throughout the meal. Lady Blemley kept up a flow of what she hoped was conversation, but her attention was fixed on the doorway. A plateful of carefully dosed fish scraps was in readiness on the sideboard, but sweets and savory and dessert went their way, and no Tobermory appeared in either the dining room or kitchen.

The sepulchral dinner was cheerful compared to the subsequent vigil in the smoking room. Eating and drinking had at least supplied a distraction and cloak to the prevailing embarrassment. Bridge was out of the question in the general tension of nerves and tempers, and after Odo Finsberry had given a lugubrious rendering of "Melisande in the Wood" to a frigid audience, music was tacitly avoided. At 11 the servants went to bed, announcing that the small window in the pantry had been left open as usual for Tobermory's private use. The guests read steadily through the current batch of magazines, and fell back gradually on the "Badminton Library" and bound volumes of Punch. Lady Blemley made periodic visits to the pantry, returning each time with an expression of listless depression which forestalled questioning.

At two o'clock Clovis broke the dominating silence.

"He won't turn up tonight. He's probably in the local newspaper office, dictating the first installment of his reminiscences. Lady What's-her-name's book won't be in it. It will be the event of the day."

Having made this contribution to the general cheerfulness, Clovis went to bed. At long intervals the various members of the house party followed his example.

The servants taking round the early tea made a uniform announcement in reply to a uniform question. Tobermory had not returned.

Breakfast was, if anything, a more unpleasant function than dinner had been, but before its conclusion the situation was relieved. Tobermory's corpse was brought in from the shrubbery, where a gardener had just discovered it. From the bites on his throat and the yellow fur coating his claws it was evident that he had fallen in unequal combat with the big Tom from the Rectory.


By midday most of the guests had quitted the Towers, and after lunch Lady Blemley had sufficiently recovered her spirits to write an extremely nasty letter to the Rectory about the loss of her valuable pet.

Tobermory had been Appin's one successful pupil, and he was destined to have no successor. A few weeks later an elephant in the Dresden Zoological Garden, which had shown no previous signs of irritability, broke loose and killed an Englishman who had apparently been teasing it. The victim's surname was variously reported in the papers as Oppin and Eppelin, but his first name was faithfully rendered Cornelius.

"If he was trying German irregular verbs on the poor beast," said Clovis, "he deserved all he got."

The Background

By Saki (1870-1916)

"That woman's art-jargon tires me," said Clovis to his journalist friend. "She's so fond of talking of certain pictures as 'growing on one,' as though they were a sort of fungus."
"That reminds me," said the journalist, "of the story of Henri Deplis. Have I ever told it you?"
Clovis shook his head.
"Henri Deplis was by birth a native of the Grand Duchy of Luxemburg. On maturer reflection he became a commercial traveller. His business activities frequently took him beyond the limits of the Grand Duchy, and he was stopping in a small town of Northern Italy when news reached him from home that a legacy from a distant and deceased relative had fallen to his share.
"It was not a large legacy, even from the modest standpoint of Henri Deplis, but it impelled him towards some seemingly harmless extravagances. In particular it led him to patronize local art as represented by the tattoo-needles of Signor Andreas Pincini. Signor Pincini was, perhaps, the most brilliant master of tattoo craft that Italy had ever known, but his circumstances were decidedly impoverished, and for the sum of six hundred francs he gladly undertook to cover his client's back, from the collar-bone down to the waist-line, with a glowing representation of the Fall of Icarus. The design, when finally developed, was a slight disappointment to Monsieur Deplis, who had suspected Icarus of being a fortress taken by Wallenstein in the Thirty Years' War, but he was more than satisfied with the execution of the work, which was acclaimed by all who had the privilege of seeing it as Pincini's masterpiece.
"It was his greatest effort, and his last. Without even waiting to be paid, the illustrious craftsman departed this life, and was buried under an ornate tombstone, whose winged cherubs would have afforded singularly little scope for the exercise of his favourite art. There remained, however, the widow Pincini, to whom the six hundred francs were due. And thereupon arose the great crisis in the life of Henri Deplis, traveller of commerce. The legacy, under the stress of numerous little calls on its substance, had dwindled to very insignificant proportions, and when a pressing wine bill and sundry other current accounts had been paid, there remained little more than 430 francs to offer to the widow. The lady was properly indignant, not wholly, as she volubly explained, on account of the suggested writing-off of 170 francs, but also at the attempt to depreciate the value of her late husband's acknowledged masterpiece. In a week's time Deplis was obliged to reduce his offer to 405 francs, which circumstance fanned the widow's indignation into a fury. She cancelled the sale of the work of art, and a few days later Deplis learned with a sense of consternation that she had presented it to the municipality of Bergamo, which had gratefully accepted it. He left the neighbourhood as unobtrusively as possible, and was genuinely relieved when his business commands took him to Rome, where he hoped his identity and that of the famous picture might be lost sight of.

"But he bore on his back the burden of the dead man's genius. On presenting himself one day in the steaming corridor of a vapour bath, he was at once hustled back into his clothes by the proprietor, who was a North Italian, and who emphatically refused to allow the celebrated Fall of Icarus to be publicly on view without the permission of the municipality of Bergamo. Public interest and official vigilance increased as the matter became more widely known, and Deplis was unable to take a simple dip in the sea or river on the hottest afternoon unless clothed up to the collar-bone in a substantial bathing garment. Later on the authorities of Bergamo conceived the idea that salt water might be injurious to the masterpiece, and a perpetual injunction was obtained which debarred the muchly harassed commercial traveller from sea bathing under any circumstances. Altogether, he was fervently thankful when his firm of employers found him a new range of activities in the neighbourhood of Bordeaux. His thankfulness, however, ceased abruptly at the Franco-Italian frontier. An imposing array of official force barred his departure, and he was sternly reminded of the stringent law which forbids the exportation of Italian works of art.
A diplomatic parley ensued between the Luxemburgian and Italian Governments, and at one time the European situation became overcast with the possibilities of trouble. But the Italian Government stood firm; it declined to concern itself in the least with the fortunes or even the existence of Henri Deplis, commercial traveller, but was immovable in its decision that the Fall of Icarus (by the late Pincini, Andreas) at present the property of the municipality of Bergamo, should not leave the country.
"The excitement died down in time, but the unfortunate Deplis, who was of a constitutionally retiring disposition, found himself a few months later once more the storm-centre of a furious controversy. A certain German art expert, who had obtained from the municipality of Bergamo permission to inspect the famous masterpiece, declared it to be a spurious Pincini, probably the work of some pupil whom he had employed in his declining years. The evidence of Deplis on the subject was obviously worthless, as he had been under the influence of the customary narcotics during the long process of pricking in the design. The editor of an Italian art journal refuted the contentions of the German expert and undertook to prove that his private life did not conform to any modern standard of decency. The whole of Italy and Germany were drawn into the dispute, and the rest of Europe was soon involved in the quarrel. There were stormy scenes in the Spanish Parliament, and the University of Copenhagen bestowed a gold medal on the German expert (afterwards sending a commission to examine his proofs on the spot), while two Polish schoolboys in Paris committed suicide to show what they thought of the matter.

"Meanwhile, the unhappy human background fared no better than before, and it was not surprising that he drifted into the ranks of Italian anarchists. Four times at least he was escorted to the frontier as a dangerous and undesirable foreigner, but he was always brought back as the Fall of Icarus (attributed to Pincini, Andreas, early Twentieth Century). And then one day, at an anarchist congress at Genoa, a fellow-worker, in the heat of debate, broke a phial full of corrosive liquid over his back. The red shirt that he was wearing mitigated the effects, but the Icarus was ruined beyond recognition. His assailant was severely reprimanded for assaulting a fellow-anarchist and received seven years imprisonment for defacing a national art treasure. As soon as he was able to leave the hospital Henri Deplis was put across the frontier as an undesirable alien.
"In the quieter streets of Paris, especially in the neighbourhood of the Ministry of Fine Arts, you may sometimes meet a depressed, anxious-looking man, who, if you pass him the time of day, will answer you with a slight Luxemburgian accent. He nurses the illusion that he is one of the lost arms of the Venus de Milo, and hopes that the French Government may be persuaded to buy him. On all other subjects I believe he is tolerably sane."